Margaret Schwarzkopf was visiting Mary Elizabeth Frye who was living in Baltimore USA when Margarets mother died. This is a version of a poem that, apparently was circulated as postcards printed by the Schwarzkopf family. Frequently allied with the harp in such situations is the horn, which carries its own associations with distance and thereby separation. Do not stand at my grave and cry I am not there. Whereas works by Schumann and Brahms that represent Daverio's Requiem Idea take many forms and fall into various genres, a considerable number of these pieces are united by their use (literally or figuratively) of two distinctly romantic instruments-primarily the harp and secondarily the horn, instruments which Daverio labelled "emblems of distance and disembodiment." Borrowing on both the Osssianic/ bardic tradition of the late 18th century and on the spiritually tinged associations of the harp among German Romantics, Schumann, and later Brahms, used this instrument to convey separation and mediation between the dead and the living, the underlying paradigm that informs the consolatory nature of the Requiem Idea. Both composers, Daverio argued, focused more on the survivors of the deceased than on the souls of the dead, and on consolation rather then grieving. In his final book, Crossing Paths, John Daverio identified a common "Requiem Idea" in the music of Robert Schumann and Johannes Brahms.
0 Comments
Leave a Reply. |
AuthorWrite something about yourself. No need to be fancy, just an overview. ArchivesCategories |